A Christmas blessing -
low, slanting, winter sunlight
moves across the room.
Wednesday, December 25, 2019
Saturday, December 21, 2019
Wednesday, December 18, 2019
Shoveling Snow with Buddha
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In the usual iconography of the temple or the local Wok
you would never see him doing such a thing,
tossing the dry snow over a mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.
Sitting is more his speed, if that is the word
for what he does, or does not do.
Even the season is wrong for him.
In all his manifestations, is it not warm or slightly humid?
Is this not implied by his serene expression,
that smile so wide it wraps itself around the waist of the universe?
But here we are, working our way down the driveway,
one shovelful at a time.
We toss the light powder into the clear air.
We feel the cold mist on our faces.
And with every heave we disappear
and become lost to each other
in these sudden clouds of our own making,
these fountain-bursts of snow.
This is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.
He has thrown himself into shoveling snow
as if it were the purpose of existence,
as if the sign of a perfect life were a clear driveway
you could back the car down easily
and drive off into the vanities of the world
with a broken heater fan and a song on the radio.
All morning long we work side by side,
me with my commentary
and he inside his generous pocket of silence,
until the hour is nearly noon
and the snow is piled high all around us;
then, I hear him speak.
After this, he asks,
can we go inside and play cards?
Certainly, I reply, and I will heat some milk
and bring cups of hot chocolate to the table
while you shuffle the deck.
and our boots stand dripping by the door.
Aaah, says the Buddha, lifting his eyes
and leaning for a moment on his shovel
before he drives the thin blade again
deep into the glittering white snow.
you would never see him doing such a thing,
tossing the dry snow over a mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.
Sitting is more his speed, if that is the word
for what he does, or does not do.
Even the season is wrong for him.
In all his manifestations, is it not warm or slightly humid?
Is this not implied by his serene expression,
that smile so wide it wraps itself around the waist of the universe?
But here we are, working our way down the driveway,
one shovelful at a time.
We toss the light powder into the clear air.
We feel the cold mist on our faces.
And with every heave we disappear
and become lost to each other
in these sudden clouds of our own making,
these fountain-bursts of snow.
This is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.
He has thrown himself into shoveling snow
as if it were the purpose of existence,
as if the sign of a perfect life were a clear driveway
you could back the car down easily
and drive off into the vanities of the world
with a broken heater fan and a song on the radio.
All morning long we work side by side,
me with my commentary
and he inside his generous pocket of silence,
until the hour is nearly noon
and the snow is piled high all around us;
then, I hear him speak.
After this, he asks,
can we go inside and play cards?
Certainly, I reply, and I will heat some milk
and bring cups of hot chocolate to the table
while you shuffle the deck.
and our boots stand dripping by the door.
Aaah, says the Buddha, lifting his eyes
and leaning for a moment on his shovel
before he drives the thin blade again
deep into the glittering white snow.
by Billy Collins
Tuesday, December 10, 2019
We stand together at a gateway
of collective initiation, and to cross its
threshold the directions are simple:
empty, empty, empty.
Empty out your mind of all its wandering
thoughts and concerns and become a vessel
of the divine.
Become able to listen and heed the deeper wisdom that lies within you, access that still
quiet center, where you are able to envision
beyond the current small story of your life and
enter instead into the bigger story of your own
life, of the life of our collective humanity, and of
this moment in our shared story.
– Elayne Kalila Doughty
Monday, December 9, 2019
Saturday, December 7, 2019
Mary Oliver: Messenger
My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.
Are my boots old? Is my coat torn?
Am I no longer young, and still not half-perfect? Let me
keep my mind on what matters,
which is my work,
which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,
which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.
Are my boots old? Is my coat torn?
Am I no longer young, and still not half-perfect? Let me
keep my mind on what matters,
which is my work,
which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,
which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.
— Mary Oliver
Friday, December 6, 2019
Thursday, December 5, 2019
Tuesday, December 3, 2019
A DeafBlind Poet By John Lee Clark
A Deaf Blind poet
doesn’t like to read sitting up. A Deaf Blind poet likes to read Braille
magazines on the john. A Deaf Blind poet is in the habit of composing
nineteenth-century letters and pressing Alt+S. A Deaf Blind poet is a
terrible student. A Deaf Blind poet does a lot of groundbreaking
research. A Deaf Blind poet is always in demand. A Deaf Blind poet has
yet to be gainfully employed. A Deaf Blind poet shares all his trade
secrets with his children. A Deaf Blind poet will not stop if police
order him to. A Deaf Blind poet used to like dogs but now prefers cats. A
Deaf Blind poet listens to his wife. A Deaf Blind poet knits soft
things for his dear friends. A Deaf Blind poet doesn’t believe in
“contributing to society.”
Tuesday, November 26, 2019
Falling Leaves and Early Snow
In the years to come they will say,
“They fell like the leaves
In the autumn of nineteen thirty-nine.”
November has come to the forest,
To the meadows where we picked the cyclamen.
The year fades with the white frost
On the brown sedge in the hazy meadows,
Where the deer tracks were black in the morning.
Ice forms in the shadows;
Disheveled maples hang over the water;
Deep gold sunlight glistens on the shrunken stream.
Somnolent trout move through pillars of brown and gold.
The yellow maple leaves eddy above them,
The glittering leaves of the cottonwood,
The olive, velvety alder leaves,
The scarlet dogwood leaves,
Most poignant of all.
In the afternoon thin blades of cloud
Move over the mountains;
The storm clouds follow them;
Fine rain falls without wind.
The forest is filled with wet resonant silence.
When the rain pauses the clouds
Cling to the cliffs and the waterfalls.
In the evening the wind changes;
Snow falls in the sunset.
We stand in the snowy twilight
And watch the moon rise in a breach of cloud.
Between the black pines lie narrow bands of moonlight,
Glimmering with floating snow.
An owl cries in the sifting darkness.
The moon has a sheen like a glacier.
Kenneth Rexroth, "Falling Leaves and Early Snow" from The Collected Shorter Poems. Copyright © 1940 by Kenneth Rexroth.
Wednesday, November 20, 2019
Perhaps the World Ends Here by Joy Harjo
The world begins at a kitchen table. No matter what, we must eat to live.
The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.
We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.
It is here that children are given instructions on what it means to be human. We make men at it, we make women.
At this table we gossip, recall enemies and the ghosts of lovers.
Our dreams drink coffee with us as they put their arms around our
children. They laugh with us at our poor falling-down selves and as we
put ourselves back together once again at the table.
This table has been a house in the rain, an umbrella in the sun.
Wars have begun and ended at this table. It is a place to hide in the
shadow of terror. A place to celebrate the terrible victory.
We have given birth on this table, and have prepared our parents for burial here.
At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.
Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.
"Perhaps the World Ends Here" from The Woman Who Fell From the Sky by Joy Harjo. Copyright © 1994 by Joy Harjo. Used by permission of W.W. Norton & Company, Inc., www.wwnorton.com.
Source:
The Woman Who Fell From the Sky
(W. W. Norton and Company Inc., 1994)
Saturday, November 16, 2019
The Delight Song of Tsoai-talee By N. Scott Momaday
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Thursday, November 7, 2019
Monday, November 4, 2019
Self is everywhere, shining forth from all beings, vaster than the vast,
subtler than the most subtle, unreachable, yet nearer than breath, than
heartbeat.
Eye cannot see it, ear cannot hear it nor tongue utter it, only in deep absorption can the mind, grown pure and silent, merge with the formless truth.
- Mundaka Upanishad
Eye cannot see it, ear cannot hear it nor tongue utter it, only in deep absorption can the mind, grown pure and silent, merge with the formless truth.
- Mundaka Upanishad
Wednesday, October 30, 2019
Monday, October 28, 2019
How Wonderful By Irving Feldman
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Thursday, October 24, 2019
Wednesday, October 16, 2019
Wednesday, October 9, 2019
Wednesday, October 2, 2019
Tuesday, October 1, 2019
We do not believe in ourselves until someone reveals that deep inside us
something is valuable, worth listening to, worthy of our trust, sacred
to our touch. Once we believe in ourselves we can risk curiosity,
wonder, spontaneous delight or any experience that reveals the human
spirit.
- e.e. cummings
- e.e. cummings
Wednesday, September 25, 2019
Tuesday, September 24, 2019
Monday, September 23, 2019
“To experience the landscape as a theophany is to take seriously the way
the divine can be revealed through nature and through created things.
It means we can join in with all of the elements and creatures in
singing God’s praise.”
--- Christine Valters Paintner, PhD The Soul’s Slow Ripening: 12 Celtic Practices for Seeking the Sacred
Sunday, September 22, 2019
“Esther de Waal writes that Benedictine life ‘simply consists in doing
the ordinary things of daily life carefully and lovingly, with the
attention and reverence that can make of them a way of prayers, a way of
God.’"
--- Christine Valters Paintner, PhD, The Artist’s Rule: Nurturing Your Creative Soul with Monastic Wisdom
--- Christine Valters Paintner, PhD, The Artist’s Rule: Nurturing Your Creative Soul with Monastic Wisdom
Saturday, September 21, 2019
Thursday, September 19, 2019
"For the Celtic monks, thresholds were sacred places. The space or the
moment between—whether physical places or experiences—is a place of
possibility. Rather than waiting being a nuisance or arriving with a
sense that you are wasting time, the pause at a threshold is an
invitation to breathe into the now and receive its gifts."
--- Christine Valters Paintner, PhD, The Wisdom of the Body: A Contemplative Journey to Wholeness for Women
--- Christine Valters Paintner, PhD, The Wisdom of the Body: A Contemplative Journey to Wholeness for Women
Saturday, September 14, 2019
Friday, September 6, 2019
As soon as we realize/remember that it’s love, well-being, contentment,
enjoyment, happiness that ego is promising at the end of all its
manipulation/gyrations, and that ego can never deliver any of those, we
start giving attention to what the heart desires here and now. No more
falling for false promises of what we’ll get “as soon as;” we’re going
to choose and have what we truly want right here, right now.
- Cheri Huber
- Cheri Huber
Thursday, September 5, 2019
Wednesday, September 4, 2019
Tuesday, September 3, 2019
Monday, September 2, 2019
"The unfolding of the Hours each day reminds us of the divine dwelling
in every moment. This is the call of the monk, but of the poet as well.
Both focus on paying attention to life and lifting it up, naming
moments, and in the process illuminating their holiness."
--- Christine Valters Paintner, PhD Dreaming of Stones: Poems
Sunday, September 1, 2019
"Contemplative presence to nature transforms our daily choices so
we become conscious of how to live within the matrix of creation in
life-giving ways."
--- Christine Valters Paintner, PhD The Self-Study Online Retreat ~ Water, Wind, Earth and Fire: Praying with the Elements
Saturday, August 31, 2019
ICH LEBE MEIN LEBEN IN WACHSENDEN RINGEN
I live my life in widening circles
that reach out across the world.
I may not complete this last one
but I give myself to it.
I circle around God, around the primordial tower.
I've been circling for thousands of years
and I still don't know: am I a falcon,
a storm, or a great song?
— R.M. RILKE, BOOK OF HOURS - 1,2
that reach out across the world.
I may not complete this last one
but I give myself to it.
I circle around God, around the primordial tower.
I've been circling for thousands of years
and I still don't know: am I a falcon,
a storm, or a great song?
Thursday, August 29, 2019
Thursday, August 22, 2019
Friday, August 9, 2019
Tuesday, July 16, 2019
Monday, July 15, 2019
Thursday, June 20, 2019
Wednesday, June 5, 2019
Saturday, May 18, 2019
Friday, May 17, 2019
Wednesday, March 13, 2019
Wednesday, February 20, 2019
Getting There
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You’re there. You’ve arrived
At the one place all your drudgery was aimed for:
This common ground
Where you stretch out, pressing your cheek to sandstone.
What did you want
To be? You’ll remember soon. You feel like tinder
Under a burning glass,
A luminous point of change. The sky is pulsing
Against the cracked horizon,
Holding it firm till the arrival of stars
In time with your heartbeats.
Like wind etching rock, you’ve made a lasting impression
On the self you were
By having come all this way through all this welter
Under your own power,
Though your traces on a map would make an unpromising
Meandering lifeline.
What have you learned so far? You’ll find out later,
Telling it haltingly
Like a dream, that lost traveler’s dream
Under the last hill
Where through the night you’ll take your time out of mind
To unburden yourself
Of elements along elementary paths
By the break of morning.
You’ve earned this worn-down, hard, incredible sight
Called Here and Now.
Now, what you make of it means everything,
Means starting over:
The life in your hands is neither here nor there
But getting there,
So you’re standing again and breathing, beginning another
Journey without regret
Forever, being your own unpeaceable kingdom,
The end of endings.
David Wagoner
Sunday, January 20, 2019
And more
Chunky and noisy,
but with stars in their black feathers,
they spring from the telephone wire
and instantly
but with stars in their black feathers,
they spring from the telephone wire
and instantly
they are acrobats
in the freezing wind.
And now, in the theater of air,
they swing over buildings,
in the freezing wind.
And now, in the theater of air,
they swing over buildings,
dipping and rising;
they float like one stippled star
that opens,
becomes for a moment fragmented,
they float like one stippled star
that opens,
becomes for a moment fragmented,
then closes again;
and you watch
and you try
but you simply can’t imagine
and you watch
and you try
but you simply can’t imagine
how they do it
with no articulated instruction, no pause,
only the silent confirmation
that they are this notable thing,
with no articulated instruction, no pause,
only the silent confirmation
that they are this notable thing,
this wheel of many parts, that can rise and spin
over and over again,
full of gorgeous life.
over and over again,
full of gorgeous life.
Ah, world, what lessons you prepare for us,
even in the leafless winter,
even in the ashy city.
I am thinking now
of grief, and of getting past it;
even in the leafless winter,
even in the ashy city.
I am thinking now
of grief, and of getting past it;
I feel my boots
trying to leave the ground,
I feel my heart
pumping hard. I want
trying to leave the ground,
I feel my heart
pumping hard. I want
to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.
~ Mary Oliver, Starlings in Winter from Owls and Other Fantasies: Poems and Essays. (Beacon Press September 30, 2003)
Friday, January 18, 2019
in memoriam
When Death Comes
--by Mary Oliver (Oct 03, 2006)
When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse
to buy me, and snaps the purse shut;
when death comes
like the measle-pox
when death comes
like the measle-pox
when death comes
like an iceberg between the shoulder blades,
like an iceberg between the shoulder blades,
I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?
what is it going to be like, that cottage of darkness?
And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,
and I think of each life as a flower, as common
as a field daisy, and as singular,
as a field daisy, and as singular,
and each name a comfortable music in the mouth,
tending, as all music does, toward silence,
tending, as all music does, toward silence,
and each body a lion of courage, and something
precious to the earth.
precious to the earth.
When it's over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it's over, I don't want to wonder
if I have made of my life something particular, and real.
if I have made of my life something particular, and real.
I don't want to find myself sighing and frightened,
or full of argument.
or full of argument.
I don't want to end up simply having visited this world.
--Mary Oliver
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